March 13, 2012

Reading & Leeds Festivals - First announcement overview

41 names were announced for the dual event, taking place on August's Bank Holiday, yesterday (13th March). This included three headliners with exclusivity deals (The Cure and Foo Fighters performing their only UK dates at the festivals, and Kasabian announcing their only festival dates in England) and a host of other bands, most on the way up the musical popularity ladder.

But while some started frothing at the mouth at the thought of seeing some of the acts, the announcement, like last year's, was greeted with few people fully appreciating the offerings from Festival Republic. There weren't many complaints about the headliners this year, unlike the tirade against My Chemical Romance or ignorance towards Arcade Fire, but instead people accused FR of an uninspiring line-up.

Strong aspects
  • ·       Exclusive headliners, giving hopefully fresh and not-as-rehearsed performances
    ·         Excellent 2nd stage headliners, giving good alternatives to the Main stage headliners. Leeds and Reading are the only UK festivals for At The Drive-In, which is a bigger coup than Death From Above 1979 of last year.
    ·         Bands with large followings being given a chance to play a higher than expected slot at the festival, eg Bombay Bicycle Club, The Vaccines.
    ·         Diverse selection of bands on the Main-stage, eg. Paramore, Cancer Bats, Bullet for my Valentine, The Vaccines.
    ·         Large NME-orientated Dance stage, with Metronomy being a big headliner for them.
    ·         Some big bookings relative to actual size. Bullet For My Valentine, The Cribs, The Courteeners.
    ·         Opportunities for sub-headliners to step up to the plate. Florence and Paramore are one classy performance away from being considered headlining size. The Black Keys are exciting many at the moment and their booking below the Foo Fighters seen as the most inspired booking

    Weak Aspects
    ·    Headliners appear safe. Foo Fighters played all over Europe last year, similar to Muse in 2010. Some could say The Cure is a booking based purely on their successful headlining set at Bestival late 2011, and Kasabian headlining T in the Park already, and have been on the festival circuit a lot as of late.
    ·    Some say the high slots of BBC and The Vaccines are lazy bookings and that FR should have booked more imaginative acts, such as Jack White, The Specials or Franz Ferdinand.
    ·    There is not a large amount of alternative rock at the festival, one of the genres which used to be big and seen as an important aspect to the line-ups.
    ·    With The Cure headlining, some would have expected a better and more relevant sub-headliner, not Paramore, a pop-punk band who flopped two years ago. Smashing Pumpkins, Franz Ferdinand, Pixies would have been more relevant.
    ·    Almost all bands on the line-up have been rumoured and are championed by the NME so there aren’t many surprises and the line-up looks rather formulaic. Also, over 50% of the acts have played at the festivals in the past two years.
    ·    Many have also been playing Leeds for the past number of years, eg Enter Shikari, Crystal Castles, Bombay Bicycle Club, The Cribs. Too many are now synonymous with the festival, and makes their names stand out much less to regular goers.
    ·    Along with Paramore-Cure, there are some really strange bands following each other this year, eg Enter Shikari>Vaccines, All Time Low>BFMV>Kaiser Chiefs>Black Keys. Days on the Main stage are less defined as a result.


    Overall, the line-up lacks direction for most who have been attending the festival for the past few years, and could do with a few more surprising entries. At the same time, I can understand Festival Republic's decisions because they really fancy a quick sell-out this year and to target the NME audience and the pop-punk crowd, they stand a decent chance.


    On a personal level, 4/5 of the bands who are touring I really want to see this summer are playing at Leeds this year. Black Keys, Foo Fighters, At The Drive-In and The Cure (Franz Ferdinand being the other), so I'm over the moon with the announcement and can't wait to see how the rest of the line-up shapes up as I spend quite a bit of time at the Festival Republic tent, a stage which hasn't been announced yet. 






August 30, 2011

Leeds Festival 2011

This is the Silent Hotels review of this year's Leeds Festival. The dual festivals (Leeds & Reading) didn't sell out instantaneously this time, and a far bit of criticism greeted the original line-up which boasted headliners of Muse, My Chemical Romance and co-headlining Pulp and The Strokes. Some said that My Chemical Romance weren't big enough or that it wasn't 'right' for them to be topping the bill, and others claimed the line-up was stuck in the past and and that it couldn't compete with headliners of V and T In The Park this year. What I maintain about the festival is that, regardless of the headliners, it is the strength in depth which gives Leeds and Reading the edge over other alternative music festivals. This is a selection of who three of our writers saw at the festival-


Friday Saturday Sunday
Flats 
Sound -
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -


note: they would have been much better suited to a slot on the lock up stage but had all of the punk credentials and gave a good performance. rh
Cherri Bomb 
Sound -
Stage Presence -
Crowd - ★ 
Overall Performance - ★ 
Live Accuracy -


note: their inexperience was evident but they still gave an exuberant, crowd-pleasing performance. rh
The Joy Formidable 
Sound -
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -  rh
Best Coast  
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  


note: Beth sounded disinterested and her guitar was so quiet there was little point even playing it. bj
The Computers 
Sound -  
Stage Presence - 
Crowd - 
Overall Performance - 
Live Accuracy -  


Surprising start to the day, very energetic and an excellent crowd interaction (helps when you end up actually in the crowd)
st
Funeral Party 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  bj

Cage The Elephant 
Sound -  
Stage Presence - Crowd -★ 
Overall Performance -  Live Accuracy -


note: the poor live accuracy is largy due to their adapting their older material to their new, grungier sound which actually worked well. rh
Cerebral Ballzy 
Sound -
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy - rh
She Keeps Bees 
Sound - 
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy - rh





OFF! 
Sound -  
Stage Presence - 
Crowd - 
Overall Performance - 
Live Accuracy -


Punk stage, punk band, no complaints. Crowd was a little inactive for what you would expect but band really nailed their timings (lots of time to kill with short songs) and the songs sounded ideal. Also a nice crowd interaction, with rundowns of American punk history.
st
Foster The People 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  

note: crowd was clearly only there for one song, and band looked much more exhausted than they did at Latitude bj
Yuck
Sound -
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -


note: The nme tent was too big for the band and the mix as well as the atmosphere suffered from this. Nevertheless, a very good live performance. rh
Warpaint 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance - Live Accuracy - ★  


note: much more polished than last year, and haven't lost that psychedelic charm which makes them unique bj
The Antlers
Sound -  
Stage Presence - 
Crowd -  
Overall Performance -  
Live Accuracy - 


Played well, got out. Not much else to say.
st
Tribes 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy - bj
Interpol
Sound -  
Stage Presence -
Crowd - 
Overall Performance -
Live Accuracy -  ★ 


Much like Strokes in terms of stage presence. Crowd very thin on the ground but a band that can never be faulted in making their live set as close to the record as possible. st
White Denim 
Sound -
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -
rh
Grouplove 
Sound -  
Stage Presence - 
Crowd -  
Overall Performance -  
Live Accuracy - 


Very energetic, maintained a nice buzz for the sometimes exhausting middle of the day slot.
st
Death From Above 1979 
Sound -  
Stage Presence - 
Crowd - 
Overall Performance - 
Live Accuracy - 


Inevitably violent crowd. Sometimes got a little out of hand. Limited stage presence although crowd interaction was okay, but sound really let them down, especially with bass.st  
Tom Vek 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  

note: Surprise of the weekend for me. Didn't expect anything and received a stylish performance from a man on his comeback into the industry. He'll probably just blend back into the background unfortunately. bj
The Kills
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  

note: Hince looked on the edge of being past it, Mosshart was even closer. Poor setlist lacking Midnight Boom, and both looked too drunk to play well. Shame. bj
Viva Brother 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  

note: Impressive britpop performance from a band who've received more criticism than most in the past few months. Undeserved in my opinion
bj
My Chemical Romance 
Sound -
Stage Presence - Crowd -  
Overall Performance -  
Live Accuracy - ★ 

note: MCR joined he major leagues with an exceptional and mature performance relying in part on their strong recent album and resisted the temptation to play a Greatest Hits set. bj
Cloud Control
Sound -
Stage Presence -   
Crowd -
Overall Performance -
Live Accuracy -




rh
Descendents 
Sound -  
Stage Presence -  
Crowd -
Overall Performance -  
Live Accuracy -  

note: clashing with Muse really hampered the crowd, but they gave an extremely impressive punk-rock performance. bj

The Horrors 
Sound - 
Stage Presence -
Crowd -   
Overall Performance -
Live Accuracy - 

note: Good mix of setlist and effective in a headliner position. Not even a power cut could bring them down. Crowd incredible, as Horrors noted themselves, with continued sing-alongs throughout the duration of the almost neverending powercut. st
The National 
Sound -  
Stage Presence -  
Crowd -  
Overall Performance -  
Live Accuracy -  

note: Festival Republic gambled with the placement of The National, and it didn't pay off with a very small crowd which would have been more suited to being in the NME tent bj
The Strokes 
Sound - 
Stage Presence -   
Crowd - 
Overall Performance -   
Live Accuracy -  


note: Virtually no stage presence for a sub-headliner. Although their 'thing' consists of walking on, playing and leaving, there was very little crowd interaction. Put that together with the laddish crowd with a seeming lack of balance (lots of falls) and a poor sound quality and it makes for a disappointing way to lead into Pulp.
st
And So I Watch You From Afar 
Sound -  
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -

note: their complex, heavy, sound which falls somewhere between polvo and explosions in the sky seemed to be lost on the audience who, despite being scarce in numbers due to the strokes and crystal castles both clashing, still gave it a good go and started pits. rh
Three Trapped Tigers 
Sound -  
Stage Presence -
Crowd -
Overall Performance -
Live Accuracy -

note: a perfect performance of extremely difficult and complex material was a pleasure to watch. It's a great shame more people weren't there to witness it due to their clashing with the strokes and not appearing on the line-up.
rh
Pulp 
Sound - ★ 
Stage Presence -   
Crowd -
Overall Performance -
Live Accuracy - 


note: Flawless.
st